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This movie begins on Krypton, where Superman's father sends him off to Earth as a young child. He grows up to be a perfectly normal newspaper reporter named Clark Kent. He has great powers - he can fly, outrun a train, and lift up a 1-ton truck. At least, he appears perfectly normal, until he transforms into Superman - flying around with his underpants over his tights, saving the day. One night, after leaving work, he sees a helicopter crash on the building's roof. From this night on, he will be known by a new name...SUPERMAN! His mission: "To fight for truth, justice and the American Way". Lex Luthor, however, has other ideas - to sabotage a pair of nuclear missiles and use them to create an earthquake that will wipe out the California coastline. When the evil Lex Luthor plans to take over the world, Superman is the only one who can stop him.Superman must race against time and stop a sinister plan by Luthor to eliminate him before millions of innocent people are killed.
This movie begins on Krypton, where Superman's father sends him off to Earth as a young child. He grows up to be a perfectly normal newspaper reporter named Clark Kent. He has great powers - he can fly, outrun a train, and lift up a 1-ton truck. At least, he appears perfectly normal, until he transforms into Superman - flying around with his underpants over his tights, saving the day. One night, after leaving work, he sees a helicopter crash on the building's roof. From this night on, he will be known by a new name...SUPERMAN! His mission: "To fight for truth, justice and the American Way". Lex Luthor, however, has other ideas - to sabotage a pair of nuclear missiles and use them to create an earthquake that will wipe out the California coastline. When the evil Lex Luthor plans to take over the world, Superman is the only one who can stop him.Superman must race against time and stop a sinister plan by Luthor to eliminate him before millions of innocent people are killed.
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第1个回答 2008-12-30
Review Summary
Last seen larking about on the big screen in the 1987 dud "Superman IV," the Man of Steel has been resurrected in a leaden new film not only to fight for truth, justice and the American way, but also to give Mel Gibson's passion a run for his box-office money. Where once the superhero flew up, up and away, he now flies down, down, down, sent from above to save mankind from its sins. "Superman Returns" was written by Michael Dougherty and Dan Harris, working off a story hatched by them and the director, Bryan Singer, after what appears to have been repeat viewings of Richard Donner's "Superman." Released in 1978, that film ushered Jerry Siegel and Joe Shuster's original comic creation into the blockbuster age. Like Christopher Nolan's "Batman Begins," Mr. Singer's effort reworks the legend against a vaguely modern, timeless backdrop that blends the thematically old with the technologically new. Every era gets the superhero it deserves, or at least the one filmmakers think we want. For Mr. Singer that means a Superman who fights his foes in a scene that visually echoes the garden betrayal in "The Passion of the Christ" and even hangs in the air much as Jesus did on the cross. — Manohla Dargis, The New York Times
Last seen larking about on the big screen in the 1987 dud "Superman IV," the Man of Steel has been resurrected in a leaden new film not only to fight for truth, justice and the American way, but also to give Mel Gibson's passion a run for his box-office money. Where once the superhero flew up, up and away, he now flies down, down, down, sent from above to save mankind from its sins. "Superman Returns" was written by Michael Dougherty and Dan Harris, working off a story hatched by them and the director, Bryan Singer, after what appears to have been repeat viewings of Richard Donner's "Superman." Released in 1978, that film ushered Jerry Siegel and Joe Shuster's original comic creation into the blockbuster age. Like Christopher Nolan's "Batman Begins," Mr. Singer's effort reworks the legend against a vaguely modern, timeless backdrop that blends the thematically old with the technologically new. Every era gets the superhero it deserves, or at least the one filmmakers think we want. For Mr. Singer that means a Superman who fights his foes in a scene that visually echoes the garden betrayal in "The Passion of the Christ" and even hangs in the air much as Jesus did on the cross. — Manohla Dargis, The New York Times
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