life of ma parker英文简介

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第1个回答  2008-06-05
Life of Ma Parker is a 1921 short story by Katherine Mansfield. It was first published in the Nation & the Athenaeum on 26 February 1921, and later reprinted in The Garden Party and Other Stories.

Plot summary
The gentleman opens his door to his charwoman, who tells her her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have. She then thinks back to her move to London; her husband's death; her grandson's death. After cleaning the gentleman's house, she wishes she had somewhere she could go and cry, but as it starts raining she realises she cannot even do that outside - and Ethel is at home, thus preventing her from doing it there too.

Characters
the young literary gentleman
Ma Parker, his charwoman. She was born in Stratford-upon-Avon.
Mr Parker, a baker, Ma Parker's deceased husband.
Maudie, a daughter of Ma Parker's.
Alice, a daughter of Ma Parker's.
two other sons of Ma Parker's.
Jim, a son of Ma Parker's, who went to India in the army.
Ethel, a daughter of Ma Parker's, who married a waiter and had Lennie before her husband died.
Lennie, Ma Parker's grandson, who has just died.

Major themes
class-consciousness : the gentleman believes Ma Parker only cared about the funeral, and is not upset about the untimely death itself. The difficulty of her job and of her life is also emphasised many times.

Literary significance
The text is written in the modernist mode, without a set structure, and with many shifts in the narrative.
-----------------------------
Life of Ma Parker

When the literary gentleman, whose flat old Ma Parker cleaned every
Tuesday, opened the door to her that morning, he asked after her grandson.
Ma Parker stood on the doormat inside the dark little hall, and she
stretched out her hand to help her gentleman shut the door before she
replied. "We buried 'im yesterday, sir," she said quietly.

"Oh, dear me! I'm sorry to hear that," said the literary gentleman in a
shocked tone. He was in the middle of his breakfast. He wore a very
shabby dressing-gown and carried a crumpled newspaper in one hand. But he
felt awkward. He could hardly go back to the warm sitting-room without
saying something--something more. Then because these people set such store
by funerals he said kindly, "I hope the funeral went off all right."

"Beg parding, sir?" said old Ma Parker huskily.

Poor old bird! She did look dashed. "I hope the funeral was a--a--
success," said he. Ma Parker gave no answer. She bent her head and
hobbled off to the kitchen, clasping the old fish bag that held her
cleaning things and an apron and a pair of felt shoes. The literary
gentleman raised his eyebrows and went back to his breakfast.

"Overcome, I suppose," he said aloud, helping himself to the marmalade.

Ma Parker drew the two jetty spears out of her toque and hung it behind the
door. She unhooked her worn jacket and hung that up too. Then she tied
her apron and sat down to take off her boots. To take off her boots or to
put them on was an agony to her, but it had been an agony for years. In
fact, she was so accustomed to the pain that her face was drawn and screwed
up ready for the twinge before she'd so much as untied the laces. That
over, she sat back with a sigh and softly rubbed her knees...

"Gran! Gran!" Her little grandson stood on her lap in his button boots.
He'd just come in from playing in the street.

"Look what a state you've made your gran's skirt into--you wicked boy!"

But he put his arms round her neck and rubbed his cheek against hers.

"Gran, gi' us a penny!" he coaxed.

"Be off with you; Gran ain't got no pennies."

"Yes, you 'ave."

"No, I ain't."

"Yes, you 'ave. Gi' us one!"

Already she was feeling for the old, squashed, black leather purse.

"Well, what'll you give your gran?"

He gave a shy little laugh and pressed closer. She felt his eyelid
quivering against her cheek. "I ain't got nothing," he murmured...

The old woman sprang up, seized the iron kettle off the gas stove and took
it over to the sink. The noise of the water drumming in the kettle
deadened her pain, it seemed. She filled the pail, too, and the washing-up
bowl.

It would take a whole book to describe the state of that kitchen. During
the week the literary gentleman "did" for himself. That is to say, he
emptied the tea leaves now and again into a jam jar set aside for that
purpose, and if he ran out of clean forks he wiped over one or two on the
roller towel. Otherwise, as he explained to his friends, his "system" was
quite simple, and he couldn't understand why people made all this fuss
about housekeeping.

"You simply dirty everything you've got, get a hag in once a week to clean
up, and the thing's done."

The result looked like a gigantic dustbin. Even the floor was littered
with toast crusts, envelopes, cigarette ends. But Ma Parker bore him no
grudge. She pitied the poor young gentleman for having no one to look
after him. Out of the smudgy little window you could see an immense
expanse of sad-looking sky, and whenever there were clouds they looked very
worn, old clouds, frayed at the edges, with holes in them, or dark stains
like tea.

While the water was heating, Ma Parker began sweeping the floor. "Yes,"
she thought, as the broom knocked, "what with one thing and another I've
had my share. I've had a hard life."

Even the neighbours said that of her. Many a time, hobbling home with her
fish bag she heard them, waiting at the corner, or leaning over the area
railings, say among themselves, "She's had a hard life, has Ma Parker."
And it was so true she wasn't in the least proud of it. It was just as if
you were to say she lived in the basement-back at Number 27. A hard
life!...

At sixteen she'd left Stratford and come up to London as kitching-maid.
Yes, she was born in Stratford-on-Avon. Shakespeare, sir? No, people were
always arsking her about him. But she'd never heard his name until she saw
it on the theatres.

Nothing remained of Stratford except that "sitting in the fire-place of a
evening you could see the stars through the chimley," and "Mother always
'ad 'er side of bacon, 'anging from the ceiling." And there was something-
-a bush, there was--at the front door, that smelt ever so nice. But the
bush was very vague. She'd only remembered it once or twice in the
hospital, when she'd been taken bad.

That was a dreadful place--her first place. She was never allowed out.
She never went upstairs except for prayers morning and evening. It was a
fair cellar. And the cook was a cruel woman. She used to snatch away her
letters from home before she'd read them, and throw them in the range
because they made her dreamy...And the beedles! Would you believe it?--
until she came to London she'd never seen a black beedle. Here Ma always
gave a little laugh, as though--not to have seen a black beedle! Well! It
was as if to say you'd never seen your own feet.

When that family was sold up she went as "help" to a doctor's house, and
after two years there, on the run from morning till night, she married her
husband. He was a baker.

"A baker, Mrs. Parker!" the literary gentleman would say. For occasionally
he laid aside his tomes and lent an ear, at least, to this product called
Life. "It must be rather nice to be married to a baker!"

Mrs. Parker didn't look so sure.

"Such a clean trade," said the gentleman.

Mrs. Parker didn't look convinced.

"And didn't you like handing the new loaves to the customers?"

"Well, sir," said Mrs. Parker, "I wasn't in the shop above a great deal.
We had thirteen little ones and buried seven of them. If it wasn't the
'ospital it was the infirmary, you might say!"

"You might, indeed, Mrs. Parker!" said the gentleman, shuddering, and
taking up his pen again.

Yes, seven had gone, and while the six were still small her husband was
taken ill with consumption. It was flour on the lungs, the doctor told her
at the time...Her husband sat up in bed with his shirt pulled over his
head, and the doctor's finger drew a circle on his back.

"Now, if we were to cut him open here, Mrs. Parker," said the doctor,
"you'd find his lungs chock-a-block with white powder. Breathe, my good
fellow!" And Mrs. Parker never knew for certain whether she saw or whether
she fancied she saw a great fan of white dust come out of her poor dead
husband's lips...

But the struggle she'd had to bring up those six little children and keep
herself to herself. Terrible it had been! Then, just when they were old
enough to go to school her husband's sister came to stop with them to help
things along, and she hadn't been there more than two months when she fell
down a flight of steps and hurt her spine. And for five years Ma Parker
had another baby--and such a one for crying!--to look after. Then young
Maudie went wrong and took her sister Alice with her; the two boys
emigrimated, and young Jim went to India with the army, and Ethel, the
youngest, married a good-for-nothing little waiter who died of ulcers the
year little Lennie was born. And now little Lennie--my grandson...

The piles of dirty cups, dirty dishes, were washed and dried. The ink-
black knives were cleaned with a piece of potato and finished off with a
piece of cork. The table was scrubbed, and the dresser and the sink that
had sardine tails swimming in it...

He'd never been a strong child--never from the first. He'd been one of
those fair babies that everybody took for a girl. Silvery fair curls he
had, blue eyes, and a little freckle like a diamond on one side of his
nose. The trouble she and Ethel had had to rear that child! The things
out of the newspapers they tried him with! Every Sunday morning Ethel
would read aloud while Ma Parker did her washing.

"Dear Sir,--Just a line to let you know my little Myrtil was laid out for
dead...After four bottils...gained 8 lbs. in 9 weeks, and is still putting
it on."

And then the egg-cup of ink would come off the dresser and the letter would
be written, and Ma would buy a postal order on her way to work next
morning. But it was no use. Nothing made little Lennie put it on. Taking
him to the cemetery, even, never gave him a colour; a nice shake-up in the
bus never improved his appetite.

But he was gran's boy from the first...

"Whose boy are you?" said old Ma Parker, straightening up from the stove
and going over to the smudgy window. And a little voice, so warm, so
close, it half stifled her--it seemed to be in her breast under her heart--
laughed out, and said, "I'm gran's boy!"

At that moment there was a sound of steps, and the literary gentleman
appeared, dressed for walking.

"Oh, Mrs. Parker, I'm going out."

"Very good, sir."

"And you'll find your half-crown in the tray of the inkstand."

"Thank you, sir."

"Oh, by the way, Mrs. Parker," said the literary gentleman quickly, "you
didn't throw away any cocoa last time you were here--did you?"

"No, sir."
"Very strange. I could have sworn I left a teaspoonful of cocoa in the
tin." He broke off. He said softly and firmly, "You'll always tell me
when you throw things away--won't you, Mrs. Parker?" And he walked off
very well pleased with himself, convinced, in fact, he'd shown Mrs. Parker
that under his apparent carelessness he was as vigilant as a woman.

The door banged. She took her brushes and cloths into the bedroom. But
when she began to make the bed, smoothing, tucking, patting, the thought of
little Lennie was unbearable. Why did he have to suffer so? That's what
she couldn't understand. Why should a little angel child have to arsk for
his breath and fight for it? There was no sense in making a child suffer
like that.

...From Lennie's little box of a chest there came a sound as though
something was boiling. There was a great lump of something bubbling in his
chest that he couldn't get rid of. When he coughed the sweat sprang out on
his head; his eyes bulged, his hands waved, and the great lump bubbled as a
potato knocks in a saucepan. But what was more awful than all was when he
didn't cough he sat against the pillow and never spoke or answered, or even
made as if he heard. Only he looked offended.

"It's not your poor old gran's doing it, my lovey," said old Ma Parker,
patting back the damp hair from his little scarlet ears. But Lennie moved
his head and edged away. Dreadfully offended with her he looked--and
solemn. He bent his head and looked at her sideways as though he couldn't
have believed it of his gran.

But at the last...Ma Parker threw the counterpane over the bed. No, she
simply couldn't think about it. It was too much--she'd had too much in her
life to bear. She'd borne it up till now, she'd kept herself to herself,
and never once had she been seen to cry. Never by a living soul. Not even
her own children had seen Ma break down. She'd kept a proud face always.
But now! Lennie gone--what had she? She had nothing. He was all she'd
got from life, and now he was took too. Why must it all have happened to
me? she wondered. "What have I done?" said old Ma Parker. "What have I
done?"

As she said those words she suddenly let fall her brush. She found herself
in the kitchen. Her misery was so terrible that she pinned on her hat, put
on her jacket and walked out of the flat like a person in a dream. She did
not know what she was doing. She was like a person so dazed by the horror
of what has happened that he walks away--anywhere, as though by walking
away he could escape...

It was cold in the street. There was a wind like ice. People went
flitting by, very fast; the men walked like scissors; the women trod like
cats. And nobody knew--nobody cared. Even if she broke down, if at last,
after all these years, she were to cry, she'd find herself in the lock-up
as like as not.

But at the thought of crying it was as though little Lennie leapt in his
gran's arms. Ah, that's what she wants to do, my dove. Gran wants to cry.
If she could only cry now, cry for a long time, over everything, beginning
with her first place and the cruel cook, going on to the doctor's, and then
the seven little ones, death of her husband, the children's leaving her,
and all the years of misery that led up to Lennie. But to have a proper
cry over all these things would take a long time. All the same, the time
for it had come. She must do it. She couldn't put it off any longer; she
couldn't wait any more...Where could she go?

"She's had a hard life, has Ma Parker." Yes, a hard life, indeed! Her
chin began to tremble; there was no time to lose. But where? Where?

She couldn't go home; Ethel was there. It would frighten Ethel out of her
life. She couldn't sit on a bench anywhere; people would come arsking her
questions. She couldn't possibly go back to the gentleman's flat; she had
no right to cry in strangers' houses. If she sat on some steps a policeman
would speak to her.

Oh, wasn't there anywhere where she could hide and keep herself to herself
and stay as long as she liked, not disturbing anybody, and nobody worrying
her? Wasn't there anywhere in the world where she could have her cry out--
at last?

Ma Parker stood, looking up and down. The icy wind blew out her apron into
a balloon. And now it began to rain. There was nowhere.

-THE END-
Katherine Mansfield's short story: Life of Ma Parker

参考资料:http://www.readbookonline.net/readOnLine/1352/

本回答被提问者采纳
第2个回答  2008-05-25
Plot summary
The gentleman opens his door to his charwoman, who tells her her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have. She then thinks back to her move to London; her husband's death; her grandson's death. After cleaning the gentleman's house, she wishes she had somewhere she could go and cry, but as it starts raining she realises she cannot even do that outside - and Ethel is at home, thus preventing her from doing it there too

参考资料:http://en.wikipedia.org/wiki/Life_of_Ma_Parker

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